{"id":23465,"date":"2017-08-08T10:07:59","date_gmt":"2017-08-08T10:07:59","guid":{"rendered":"https:\/\/www.genarodesign.com\/staging\/8591\/teaching-2-2-2\/"},"modified":"2024-08-04T20:46:40","modified_gmt":"2024-08-04T20:46:40","slug":"resources","status":"publish","type":"page","link":"https:\/\/www.genarodesign.com\/staging\/8591\/resources\/","title":{"rendered":"Resources"},"content":{"rendered":"
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Some books are to be tasted, others to be swallowed, and some few to be chewed and digested; that is, some books are to be read only in parts; others to be read but not curiously; and some few to be read wholly, and with diligence and attention.<\/h5>FRANCIS BACON \u2022 PHILOSOPHER and statesman<\/span><\/div><\/div><\/div><\/div><\/section>
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Inspiring Resources.<\/span><\/div><\/div><\/div>

During my career as a graphic designer and educator, I have found many inspiring books and blogs with valuable information. Here is a list of some inspiring resources. I try to update this list constantly, so please enjoy and do not hesitate to share your favorites with me!<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>

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Blogs.<\/span><\/div><\/div><\/div>

I love typography<\/a><\/p>\n

Fonts in use<\/a><\/p>\n

The Dieline<\/a><\/p>\n

Logo Design Love<\/a>
\n(don\u2019t miss the style guides)<\/p>\n

Under Consideration<\/a>
\n(subscription is worth it!)<\/p>\n

The Futur<\/a><\/p>\n

Typewolf<\/a>
\n(checklist is worth every dollar)<\/p>\n

Magazeum<\/a><\/p>\n<\/div><\/div><\/div><\/div>

Brand Style Guides<\/a>
\n(collection of brand guidelines)<\/p>\n

Graphis The Blog<\/a><\/p>\n

CommArts<\/a><\/p>\n

LogoLounge<\/a><\/p>\n

Print Guide<\/a>
\n(don\u2019t miss the past topics in the sidebar)<\/p>\n

NN Group, UI\/UX<\/a><\/p>\n

Neenah Paper Resources<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>

Podcasts and Videos.<\/span><\/div><\/div><\/div>

TheFutur with Chris Do<\/a><\/p>\n

Print is Dead<\/a> (Long Live Print!)<\/p>\n

Design Matters <\/a>
\nwith Debbie Millman<\/p>\n

Milton Glaser Interview<\/a>
\ntalks about moving people into action<\/p>\n<\/div><\/div><\/div><\/div>

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Art Direction and Strategies. <\/span><\/div><\/div><\/div>

Andrews, Van Leeuwen & Van Baaren. (2013). Hidden persuasion. 33 psychological influence techniques in advertising.<\/em> Amsterdam: BIS Publishers.<\/p>\n

Hall, Sean. (2007). This means this. This means that. A user\u2019s guide to semiotics.<\/em> London: Laurence King Publishing.<\/p>\n

Lucas, G. (2006). Guerrilla advertising. Unconventional brand communication.<\/em> London: Laurence King Publishing Ltd.<\/p>\n

McAlhone, Beryl & Stuart, David. (2009). A smile in the mind.<\/em> London: Phaidon Press.<\/p>\n

Pricken, M. (2008). Creative advertising. Ideas and techniques from the world\u2019s best campaigns.<\/em> (M. Whittall, Trans.). New York: Germany. (Original work published 2001).<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>

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Biographies and Monographs.<\/span><\/div><\/div><\/div>

Bierut, M. (2018). How to.<\/em> New York: Harper Design.<\/p>\n

Conradi, J. (2010). Unimark International. The design of business and the business of design.<\/em> Baden, Switzerland: Lars M\u00fcller Publishers.<\/p>\n

Draplin, A. J. (2016). Draplin Design Co. Pretty much everything.<\/em> New York: Abrams.<\/p>\n

Kennedy, A. (Ed.). (2011). Identify. Basic principles of identity design of the iconic trademarks of Chermayeff & Geismar.<\/em> New York: Print Publishing.<\/p>\n

Stout, DJ. (2015). Variations on a rectangle.<\/em> Austin, Texas: University of Texas Press.<\/p>\n

Vignelli, M. (2007). Vignelli from A\u2013Z.<\/em> Australia: The Images Publishing Group Pty Ltd.<\/p>\n

Vignelli, M. (2010). The Vignelli Canon.<\/em> Baden, Switzerland: Lars M\u00fcller Publishers.<\/p>\n

Wyman, L. (2014). Lance Wyman. Mexico.<\/em> M\u00e9xico, D.F. Editorial RM, S.A. de C.V.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>

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Branding and Identity Design.<\/span><\/div><\/div><\/div>

Airey, D. (2010). Logo design love: A guide to creating iconic brand identities.<\/em> Berkeley: New Riders.<\/p>\n

Johnson, M. (2016). Branding. In five and a half steps.<\/em> New York. Thames & Hudson.<\/p>\n

Gob, M. (2009). Emotional branding: the new paradigm for connecting brands to people.<\/em> New York: Allworth Press.<\/p>\n

Landa, R. (2006). Designing brand experiences: Creating powerful integrated brand solutions.<\/em> New York: Thomson Delmar Learning.<\/p>\n

Lindstrom, M. (2005). Brand sense: Build powerful brands through touch, taste, smell, sight, and sound.<\/em> New York: Free Press.<\/p>\n

Lindstrom, M. (2008). Buy\u2022ology. Truth and lies about why we buy.<\/em> New York: Broadway Books.<\/p>\n

Neumeier, M. (2006). The brand gap.<\/em> Berkeley: New Riders.<\/p>\n

Neumeier, M. (2007). ZAG.<\/em> Berkeley: New Riders.<\/p>\n

Olins, W. (2008). Wally Olins: The brand handbook.<\/em> UK: Thames & Hudson Inc.<\/p>\n

Olins, W. (2014). Brand New: The shape of brands to come.<\/em> UK: Thames & Hudson Inc.<\/p>\n

Sheehan, B. (2013). Loveworks. How the world\u2019s top marketers make emotional connections to Win in the Marketplace.<\/em> Brooklyn, NY: Powerhouse Books.<\/p>\n

Wheeler, A. (2018). Designing brand identity: an essential guide for the entire branding team.<\/em> (5th. ed). Hoboken, NJ: Wiley.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>

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Design General.<\/span><\/div><\/div><\/div>

Bierut, M. & Helfand, J. & Heller, S. & Poynor, R. (Eds.). (1999). Looking closer three. Classic writings on graphic design.<\/em> New York: Allworth Press.<\/p>\n

Bierut M. & Drenttel, W. & Heller, S. (Eds.). (2006). Looking closer five. Classic writings on graphic design.<\/em> New York: Allworth Press.<\/p>\n

Bierut, M. (2018). Now you see it and another essays on design.<\/em> New York: Princeton Architectural Press.<\/p>\n

Bierut, M. (2007). Seventy-nine short essays on design.<\/em> New York: Princeton Architectural Press.<\/p>\n

Cranmer, J. & Zappaterra, Y. (2003). Conscientious objectives: designing for an ethical message.<\/em> Mies, Switzerland: RotoVision SA.<\/p>\n

Heller, S. & Ilic, M. (2008). Icons of graphic design.<\/em> (2nd. Ed.). New York. Thames & Hudson. Inc.<\/p>\n

Eiseman, L. (2006). Color: messages and meanings, a Pantone color resource.<\/em> Gloucester, MA: Hand Books Press.<\/p>\n

de Orellana, M. (Ed.). Dise\u00f1o gr\u00e1fico en M\u00e9xico. 100 a\u00f1os.<\/em> M\u00e9xico, D.F. Artes de M\u00e9xico y del Mundo, S.A. de C.V.<\/p>\n

Rand, P. (2014). Thoughts on design.<\/em> (3rd ed.). San Francisco, CA: Chronicle Books.<\/p>\n

Shaw, P. (2011). Helvetica and the New York City subway system: the true (maybe) story.<\/em> Cambridge, MA: The MIT Press.<\/p>\n

Vilchis Esquivel, L del C. (2010). Historia del dise\u00f1o gr\u00e1fico en M\u00e9xico. 1910\u20142010.<\/em> M\u00e9xico, D.F.: INBA y CONACULTA.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>

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Exhibition Design and
\nEnvironmental Graphic Design.<\/span><\/div><\/div><\/div>

Berger, C., Lorenc, J., & Skolnick, L. (2007). What is exhibition design?<\/em> Mies, Switzerland: RotoVision SA.<\/p>\n

Calori, C. (2007). Signage and wayfinding design. A complete guide to creating graphic design systems.<\/em> Hoboken, NJ: John Wiley & Sons, Inc.<\/p>\n

Gibson, D. (2009). The wayfinding handbook. Information design for public spaces.<\/em> New York: Princeton Architectural Press.<\/p>\n

de Jong, M. & Kossmann, H. (2010). Engaging spaces. Exhibition design explored.<\/em> (B. Nolan, Trans.) Minneapolis, MN: Amsterdam<\/p>\n

Lin, G. (2015). Follow me III.<\/em> Hong Kong: SendPoints Publishing Co., Ltd.<\/p>\n

Mollerup, P. (2005). Wayshowing. A guide to environmental signage. Principles & practices.<\/em> Switzerland: Lars M\u00fcller Publishers.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>

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Typography and Book Design.<\/span><\/div><\/div><\/div>

Bringhurst, R. (2008). The elements of typographic style.<\/em> Point Roberts, WA: Hartley & Marks.
\nA MUST!<\/p>\n

Flor, M. (2017). The golden secrets of lettering.<\/em> New York: Princeton Architectural Press.<\/p>\n

Haslam, A. (2006). Bookdesign. A comprehensive guide.<\/em> London: Laurence King.<\/p>\n

Hill, W. (2010). The complete typographer. A manual for designing with type.<\/em> New Jersey: Pearson Prentice Hall.<\/p>\n

Hische, J. (2015). In progress.<\/em> San Francisco: Chronicle Books, LLC.<\/p>\n

Houston, K. (2013). Shady characters. The secret life of punctuation, symbols & other typographical marks.<\/em> London: W. W. Norton & Company.<\/p>\n

Morlok, F & Wazlelewski, M. (2018). Bookbinding. A comprehensive guide to folding, sewing & binding.<\/em> (Waight, C. Trans.). New York. Princeton Architectural Press.<\/p>\n

Samara, T. (2002). Making and breaking the grid. A graphic design layout workshop.<\/em> Beverly, MA. Rockport Publishers.<\/p>\n

Williams, J. (2012). Simple tips for everyday typography. Type matters!<\/em> London: Merrell Publishers.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>

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